Pieces, Particles VIII
The following media-related stories recently spotted in print publications might be worth a look. Heads and decks, only. Heads and decks.
Anarchists in Medicine and Pharmacy: Philadelphia, 1889-1930, by Robert Helms, Clamor, December 2000
Artspace: The Neglected Frontier? by Sady Sullivan, The Weekly Dig, Aug. 21, 2002
Beauty Tips and Politics, by Lauren Sandler, The Nation, Sept. 2, 2002
Hot media news: Women want hard-hitting reports on issues that affect them.
A Brief History of Skate Parks, by Jered Bogli, Clamor, December 2000
Comic Relief, by Michael Bronski, The Boston Phoenix, Aug. 23, 2002
Making the incipient homosexuality in superhero comics more visible has prompted a backlash far more complex than the one faced by comic books in the 1950s
From the House of the Dead, by Richard Stirling, Fortean Times, July 2002
Richard Stirling invites us to Sicily's spookiest site -- the Capuchin Catacombs of Palermo
Guerrillas in Our Midst, by Kate Haegele, Bitch, No. 13 (Triskadekaphilia 2001)
Harriet & Claudia, Where Have You Gone?, by Monica T. Nolan, Bitch, No. 15 (Winter of Our Discontent 2002)
Notes on the gender divide in children's literature
Hero with a Dirty Face, by Michael Bronski, The Boston Phoenix, Aug. 16, 2002
Samuel Roth -- smut peddler, literary pirate, ruthless businessman, rabidly anti-Semitic Jew -- is not easily venerated. But without his stand for free expression, we might still be gagging on state control.
How to Get on a Game Show, by Jon Regardie, ReadyMade, No. 3 (Summer 2002)
Start by selling yourself
How to Go on a Nationwide Book Tour and Not Get Laid, by Steve Almond, The Boston Phoenix, Aug. 23, 2002
A sexual odyssey through a semiliterate nation
I Hear Voices in My Radiohead, by David Hambling, Fortean Times, July 2002
David Hambling takes a look at the puzzling phenomenon of electrophonics.
The Last Sports Column, by Charles Pierce, Esquire, September 2002
For a decade, I've written about America through its games. That's all over now.
A Life of Crime, by Russell Shorto, The New York Times Magazine, Aug. 25, 2002
Fueled by personal tragedy, John Walsh built a national movement and a remarkably successful television career as the host of "America's Most Wanted" and now has his own talk show. But has the medium overtaken the man?
Lost and Found in America, by Jill Hudes, ReadyMade, No. 3 (Summer 2002)
Making art out of what's left behind
Media Alliance Versus the National Association of Broadcasters, by Eric Zass, Clamor, December 2000
The future of television, radio, and the Internet in America. An interview with Andrea Buffa.
Memos from D.V., by Diana Vreeland, The New Yorker, Sept. 17, 2001
How the legendary Vogue editor kept fashion in line.
The Naked Face, by Malcolm Gladwell, The New Yorker, Aug. 5, 2002
Can you read people's thoughts just by looking at them?
Odd DUKW, by Thomas Allen, Smithsonian Magazine, August 2002
On land and in the water, World War II's amphibian workhorse showed the skeptics a thing or two -- now it shows tourists the sights
Paper Chase, by Jonathan Kiefer, ReadyMade, No. 3 (Summer 2002)
How to seem like you read several newspapers
The Past Decade Has Seen African-American Men Invade the Science Fiction Genre, but What About the Sci-Fi Sisters?, by Elyce Rae Helford, Bitch, No. 15 (Winter of Our Discontent 2002)
Reclaiming Radical History in the Labadie Collection, by Andrew Cornell, Clamor, December 2000
Romance Novels: True Love Returns, The Economist, July 27, 2002
America rediscovers its heartland
Saints Preserve Us, by Dwight Longenecker, Fortean Times, July 2002
There are more than 100 cases of saintly Catholics whose bodies have resisted the corruption of the grave. Dwight Longenecker reviews one of the world's best attested "miracles" and finds the phenomenon is by no means limited to just Catholics or saints.
Shining Independently, by Bruce Costa, Comics & Games Retailer, September 2002
A discussion with Eric Reynolds of Fantagraphics
Taking It to the Streets!, by Matthew A. Donahue, Clamor, December 2000
Art cars in America
Theater's Memory Bank Expands, by Jonathan Mandell, The New York Times, Aug. 25, 2002
Playbill, theatergoers' only record of an ephemeral art, has absorbed Stagebill, its sole nationwide competitor.
This Little Piggy Kicked Ass, by Kate Epstein, Bitch, No. 13 (Triskadekaphilia 2001)
Kate Epstein laments the diminished power of her favorite Muppet
An Uninvited Bassist Takes to the Internet, by Neil Strauss, The New York Times, Aug. 25, 2002
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