Thursday, January 21, 2010
Saturday, January 02, 2010
The Greatest Salesman in the World
The first book I read in 2010 was a slim volume, the 111-page 1968 parable written by Og Mandino. I first -- and last -- read the book about eight years ago, near the end of January 2002, on the recommendation of a friend who sold faucets and fixtures for Kohler. I often pick up books on the suggestions of friends. Sometimes it works out, sometimes it doesn't. With Mandino's classic motivational tale The Greatest Salesman in the World, even though I've read it twice, it's a mixed bag.
As a book, pure and simple, it's a quick read. I read it in one sitting yesterday evening before going to bed. It's a clear and clean story about a successful merchant more than 2,000 years ago -- and the lessons he learned that helped him become a success. The major themes are pretty basic Positive Mental Attitude stuff, with a Christian corollary (and Christmas tie-in!) thrown in for good measure. The main thing (though a minor thing) that rubs me the wrong way is the text's focus on business and sales as the vehicle for success. Readers should feel free to replace "salesman" with whatever they're striving to be the best of: father, husband, son, brother, worker, friend.
Mandino, who went on to author other similar books and become a sought-after motivational speaker, overcame a struggle with alcoholism by diving into some of the best PMA writers of the early 20th century: Napoleon Hill, W. Clement Stone, and Emmet Fox. In fact, this book so impressed Stone that he hired Mandino as editor of Success Unlimited magazine. Success Unlimited continues today in the form of Success magazine. You can learn more about Mandino's ideas thanks to Dave Blanchard's work.
Also of potential interest is the book's relationship to other business parables such as Animals Inc., Miller's Bolt, The Radical Edge, Sandbox Wisdom, and Who Moved My Cheese? I'm not the biggest fan of the subgenre, but if you're going to read one, go to the source.
As a book, pure and simple, it's a quick read. I read it in one sitting yesterday evening before going to bed. It's a clear and clean story about a successful merchant more than 2,000 years ago -- and the lessons he learned that helped him become a success. The major themes are pretty basic Positive Mental Attitude stuff, with a Christian corollary (and Christmas tie-in!) thrown in for good measure. The main thing (though a minor thing) that rubs me the wrong way is the text's focus on business and sales as the vehicle for success. Readers should feel free to replace "salesman" with whatever they're striving to be the best of: father, husband, son, brother, worker, friend.
Mandino, who went on to author other similar books and become a sought-after motivational speaker, overcame a struggle with alcoholism by diving into some of the best PMA writers of the early 20th century: Napoleon Hill, W. Clement Stone, and Emmet Fox. In fact, this book so impressed Stone that he hired Mandino as editor of Success Unlimited magazine. Success Unlimited continues today in the form of Success magazine. You can learn more about Mandino's ideas thanks to Dave Blanchard's work.
Also of potential interest is the book's relationship to other business parables such as Animals Inc., Miller's Bolt, The Radical Edge, Sandbox Wisdom, and Who Moved My Cheese? I'm not the biggest fan of the subgenre, but if you're going to read one, go to the source.
Saturday, November 01, 2008
Taking a Break
It's been a month since my last post, and I've decided that I'm going to take a blogging hiatus of indeterminate length. Rather than blogging, I'll be focusing my energies in participating in several print-based micromedia, including zines, amateur press associations, mail art, and related projects. I might post occasionally, but in general, there will be other places you can find me. If you're really curious what those are, let me know, and I'll point you in the right direction.
Tuesday, September 30, 2008
Recent Arrivals
It's been a good week-plus for zines and such. Here are some of the highlights:
Comicopia #108 (August 2008): The 18th anniversary issue of this international comics APA. ($6 133M) Savage Enterprises Publishing, 10 rue de la Valline, NDIP, Quebec, Canada J7V 9S5.
Musea #165 (August/September/October 2008): Writing on shared culture, the "art Olympics," and YouTube videos. (8S) Tom Hendricks, 4000 Hawthorne #5, Dallas, TX 75219.
Opuntia 66A (September 2008): Geology, pronghorns, and a literature scan. ($3 16S) Dale Speirs, Box 6830, Calgary, Alberta, Canada T2P 2E7.
Rap Sheet #138 (September 2008): The official newsletter of the Small Press Syndicate. ($3 52S) Dale Martin, P.O. Box 442612, Lawrence, KS 66044.
Worry Stone #1: The first issue of Jerianne's new zine about the concerns of adulthood. (28XS) P.O. Box 330156, Murfreesboro, TN 37133.
Zen Baby #19: Christopher Robin's freewheeling zine of correspondence, poetry, news, reviews, and collage art. ($2 56M) P.O. Box 1611, Santa Cruz, CA 95061-1611.
Zine World #26: Perhaps the zine review zine of today. I contribute an article on censorship in California and Russia, as well as assorted zine reviews. ($4 62M) P.O. Box 330156, Murfreesboro, TN 37133.
ZYX #48 (December 2008): Progressive poetry, reviews, and collage art, including poems by A. D. Winans. (10M) Arnold Skemer, 58-09 205th St., Bayside, NY 11364.
Comicopia #108 (August 2008): The 18th anniversary issue of this international comics APA. ($6 133M) Savage Enterprises Publishing, 10 rue de la Valline, NDIP, Quebec, Canada J7V 9S5.
Musea #165 (August/September/October 2008): Writing on shared culture, the "art Olympics," and YouTube videos. (8S) Tom Hendricks, 4000 Hawthorne #5, Dallas, TX 75219.
Opuntia 66A (September 2008): Geology, pronghorns, and a literature scan. ($3 16S) Dale Speirs, Box 6830, Calgary, Alberta, Canada T2P 2E7.
Rap Sheet #138 (September 2008): The official newsletter of the Small Press Syndicate. ($3 52S) Dale Martin, P.O. Box 442612, Lawrence, KS 66044.
Worry Stone #1: The first issue of Jerianne's new zine about the concerns of adulthood. (28XS) P.O. Box 330156, Murfreesboro, TN 37133.
Zen Baby #19: Christopher Robin's freewheeling zine of correspondence, poetry, news, reviews, and collage art. ($2 56M) P.O. Box 1611, Santa Cruz, CA 95061-1611.
Zine World #26: Perhaps the zine review zine of today. I contribute an article on censorship in California and Russia, as well as assorted zine reviews. ($4 62M) P.O. Box 330156, Murfreesboro, TN 37133.
ZYX #48 (December 2008): Progressive poetry, reviews, and collage art, including poems by A. D. Winans. (10M) Arnold Skemer, 58-09 205th St., Bayside, NY 11364.
Monday, September 15, 2008
Vote for My ChangeThis Manifesto Proposal
I submitted an idea for a ChangeThis manifesto, and it's currently one of the proposals you can vote for. Vote for my proposal, if you think it's a good idea, and help me get selected... I'd love to do this ebook and think it's a useful topic: How to best leverage the many business book summary services out there.
While you're there, check out the other proposals, as well. It's an interesting project -- and an interesting process!
While you're there, check out the other proposals, as well. It's an interesting project -- and an interesting process!
You Don't Get There from Here #8
ZYX #48
Arnold Skemer, 58-09 205th St., Bayside, NY 11364
(Free 10M)
Innovative poetry, and reviews of same. One of the best poetry zines I get.
(Free 10M)
Innovative poetry, and reviews of same. One of the best poetry zines I get.
Poet's Espresso: September 2008
A View #135
Michael Goetz, 1340 Brandywine Dr., Rockford, IL 61108
($1 16XS)
Simply drawn single-panel gag strips with an emphasis on puns.
($1 16XS)
Simply drawn single-panel gag strips with an emphasis on puns.
Saturday, September 06, 2008
Several Items from SSO Press
Yesterday, I received a wonderful envelope from the folks who share P.O. Box 2645 in Olympia, Wash. Among the items included were:
Well, I Don't See Why Not CD-R: "A compilation of unsigned/barely signed Northwest artists" released in July 2008. Musical groups include Twig Palace, Yes Please, the Hail Seizures, Ariel Birks, Blindfolder, and other bands. 17 songs available via Bicycle Records.
Basic Paper Airplane #2 (August 2008): Cut-and-paste perzine by Joshua Amberson, SSO Press, P.O. Box 2645, Olympia, WA 98507. (Trade 20S)
Jesus Christ Super Zine #1: Hand- and typewritten perzine by Ariel Birks, SSO Press, P.O. Box 2645, Olympia, WA 98507 (Trade 40S)
These are begging to be read and listened to, and full reviews will follow in the near future.
Well, I Don't See Why Not CD-R: "A compilation of unsigned/barely signed Northwest artists" released in July 2008. Musical groups include Twig Palace, Yes Please, the Hail Seizures, Ariel Birks, Blindfolder, and other bands. 17 songs available via Bicycle Records.
Basic Paper Airplane #2 (August 2008): Cut-and-paste perzine by Joshua Amberson, SSO Press, P.O. Box 2645, Olympia, WA 98507. (Trade 20S)
Jesus Christ Super Zine #1: Hand- and typewritten perzine by Ariel Birks, SSO Press, P.O. Box 2645, Olympia, WA 98507 (Trade 40S)
These are begging to be read and listened to, and full reviews will follow in the near future.
Wednesday, September 03, 2008
Xerography Debt #24
Davida Gypsy Breier, P.O. Box 11064, Baltimore, MD 21212
($2 16M)
The first issue of a new approach to Xerography Debt, this issue largely contains a lettercol-driven discussion of the intersection between zine culture and the Web. Breier and her team are moving the review aspect of XD to a new blog and will devote the pages of the print -- and PDF -- version to other matters. Contributors to the discussion include yours truly, James Dawson, Jeff Somers, Christopher Robin, and others. Somers also contributes items on post office etiquette, how to mail a zine "properly," and the longevity of online zine reviews. Sinasi Gunes's piece "Zines and Contemporary Art in Turkey" is a brief survey of zine culture in that country, and there are a couple of pages of calls for submissions. I might be most intrigued by the calls for submissions. Even if zine culture is being supplanted in some ways by the Web, there's still a place for the papernet, and this is a healthy expression of the Eternal Network. Oddly, this is the first issue of XD I've ever read, and I feel like I've been missing out -- but joined the party at an interesting point in time. To the future!
($2 16M)
The first issue of a new approach to Xerography Debt, this issue largely contains a lettercol-driven discussion of the intersection between zine culture and the Web. Breier and her team are moving the review aspect of XD to a new blog and will devote the pages of the print -- and PDF -- version to other matters. Contributors to the discussion include yours truly, James Dawson, Jeff Somers, Christopher Robin, and others. Somers also contributes items on post office etiquette, how to mail a zine "properly," and the longevity of online zine reviews. Sinasi Gunes's piece "Zines and Contemporary Art in Turkey" is a brief survey of zine culture in that country, and there are a couple of pages of calls for submissions. I might be most intrigued by the calls for submissions. Even if zine culture is being supplanted in some ways by the Web, there's still a place for the papernet, and this is a healthy expression of the Eternal Network. Oddly, this is the first issue of XD I've ever read, and I feel like I've been missing out -- but joined the party at an interesting point in time. To the future!
Friday, August 29, 2008
Sensing the Future
The future tastes like ice-cold artesian well water, like copper, like blood on your tongue, like the tang of a nine-volt battery.
The future smells like ozone, like burning rubber, like plastic water bottles, like snow.
The future sounds like white noise, like train whistles in the distance, like doorbells, like the staticky space that shifts and sits between radio stations.
The future looks like daybreak, like sunset, like early-afternoon sunlight, like cellophane, like lightbulbs.
The future feels like polyester, like velour, like Tupperware, like bubblewrap and packing foam, like cold steel.
The future smells like ozone, like burning rubber, like plastic water bottles, like snow.
The future sounds like white noise, like train whistles in the distance, like doorbells, like the staticky space that shifts and sits between radio stations.
The future looks like daybreak, like sunset, like early-afternoon sunlight, like cellophane, like lightbulbs.
The future feels like polyester, like velour, like Tupperware, like bubblewrap and packing foam, like cold steel.
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