Jonny Quest #2 (Comico, July 1986, $1.50)
"Enter Race Bannon" Writer: William F. Messner-Loebs, Penciller: Wendy Pini, Inker: Joe Staton, Letter: Joe Pinana, Colorist: Rick Taylor, Editor: Diana Schutz.
Be sure to take a look at that credit line again. I found the creative team of this issue to be mind-blowingly spectacular, and if that group of three doesn't make up some kind of independent comics power trio, I don't know who would. This Hanna-Barbera cartoon tie-in comic was written and drawn by some of the more impressive independent comics creators of that era. Thank you, Diana Schutz, for bringing those creators together!
In her editorial, Schutz says a little about the intent behind the issue: "In the original run of Jonny Quest, ... we never did learn how Race Bannon came to be a part of the Quest team -- nor was mention ever made of Jonny's mother." Messner-Loebs's stort amends those gaps.
Jonny's mother is introduced as a lively counterbalance to his more sober and studious father. She becomes ill and lapses into a coma, and Bannon is an agent assigned to protect the family from terrorists. There are several extremely touching scenes in the comic focusing on Judith Waterston and her relationship with her husband and son, particularly pages 7, 11, and 17. Bannon's first impression, then, though heroic, is as sympathetic and comical as it is strong or powerful in its intent (p. 19).
For the most part, Pini and Staton's artwork stays true to the cartoon character designs and overall style, but occasional glimpses of their other work pops through here and there. This isn't Elfquest or E-Man, but I love that those two creators had their hands at this series.
The issue also includes a pinup by Adam Kubert and a two-page letter column containing seven letters of comment. One of those letters was penned by T.M. Maple.
Availability: This comic has not been collected. We also recommend the original cartoon.
Showing posts with label 1986. Show all posts
Showing posts with label 1986. Show all posts
Sunday, December 08, 2019
Thursday, November 14, 2019
Mystery Men and Comics History
All-Star Squadron #3 (DC, November 1981, 60 cents)
"The Dooms of Dark December" Writer/Co-Creators/Penciller: Roy Thomas and Rich Buckler, Embellisher: Jerry Ordway, Letterer: John Costanza, Colorist: Carl Gafford, Editor: Len Wein.
The conclusion of the All-Stars's first mission finds the team—comprising Johnny Quick, Robotman, Libery Belle, and others—on the parallel world Earth-Two in late 1941. Per Degaton has traveled back in time with a group of cronies to engineer a pre-emptive Japanese attack on northern and southern California. Safe in his sub-oceanic carrier, he revels in the defeat of the Justice Society of America on an active volcanic island in the Pacific.
The Shining Knight and geologist Danette Reilly have infiltrated Degaton's submarine and face Wotan, Professor Zodiak, and Solomon Grundy. They escape and return with the All-Stars just as hypnotized pilots approach Monterey, California. Hawkman, Robotman, and Johnny Quick fend them off, and the JSA is revived by the Spectre to square off against Grundy and the others, who are soon returned to their own times as Degaton flees.
Even isolated from the first two issues, Thomas's story holds up reasonably well as a standalone, and Buckler and Ordway's artwork is solid, if not surprising. Page layouts often incorporate smaller panels—seven or eight per page—and the image of the Spectre looking above the active volcano on page 21 is wonderful. Thomas's retelling of Degaton's gathering of the other villains from across time—Wotan from the late '40s, Zodiak from 1948, Grundy from 1947, so so on—establishes some sympathy for the lesser criminals, mere pawns out of time, "expendable," even, in Degaton's plans.
The issue also includes a Red Tornado Hostess Cup Cake ad ("My computer brain informs me we must bait the Vacuum Vulture with something dark and delicious.") and a "Super-Villain Fact File" profiling Grundy, Zodiak, Wotan, and Sky Pirate. Page five includes an off-hand mention of King Canute, king of Denmark, England, and Norway, referring to the legend of King Canute and the tide, which in later tellings portrays him as a deluded monarch who believes he has supernatural powers.
Availability: This issue is included in Showcase Presents: All-Star Squadron Vol. 1.
"The Dooms of Dark December" Writer/Co-Creators/Penciller: Roy Thomas and Rich Buckler, Embellisher: Jerry Ordway, Letterer: John Costanza, Colorist: Carl Gafford, Editor: Len Wein.
The conclusion of the All-Stars's first mission finds the team—comprising Johnny Quick, Robotman, Libery Belle, and others—on the parallel world Earth-Two in late 1941. Per Degaton has traveled back in time with a group of cronies to engineer a pre-emptive Japanese attack on northern and southern California. Safe in his sub-oceanic carrier, he revels in the defeat of the Justice Society of America on an active volcanic island in the Pacific.
The Shining Knight and geologist Danette Reilly have infiltrated Degaton's submarine and face Wotan, Professor Zodiak, and Solomon Grundy. They escape and return with the All-Stars just as hypnotized pilots approach Monterey, California. Hawkman, Robotman, and Johnny Quick fend them off, and the JSA is revived by the Spectre to square off against Grundy and the others, who are soon returned to their own times as Degaton flees.
Even isolated from the first two issues, Thomas's story holds up reasonably well as a standalone, and Buckler and Ordway's artwork is solid, if not surprising. Page layouts often incorporate smaller panels—seven or eight per page—and the image of the Spectre looking above the active volcano on page 21 is wonderful. Thomas's retelling of Degaton's gathering of the other villains from across time—Wotan from the late '40s, Zodiak from 1948, Grundy from 1947, so so on—establishes some sympathy for the lesser criminals, mere pawns out of time, "expendable," even, in Degaton's plans.
The issue also includes a Red Tornado Hostess Cup Cake ad ("My computer brain informs me we must bait the Vacuum Vulture with something dark and delicious.") and a "Super-Villain Fact File" profiling Grundy, Zodiak, Wotan, and Sky Pirate. Page five includes an off-hand mention of King Canute, king of Denmark, England, and Norway, referring to the legend of King Canute and the tide, which in later tellings portrays him as a deluded monarch who believes he has supernatural powers.
Availability: This issue is included in Showcase Presents: All-Star Squadron Vol. 1.
Saturday, November 10, 2018
An Extremely Silly Comic
Samurai Penguin #1 (Slave Labor, 1986, $1.50)
Writer and creator: Dan Vado, Artist and creator: Mark Buck.
I'm not sure if this is a parody of Teenage Mutant Ninja Turtles or of the already cartoony and masterful Usagi Yojimbo, both of which were contemporaries, but thanks to the editorial, readers know there's no relation to the Samurai Penguin characters in Antarctic Press's Extremely Silly Comics.
Regardless, this comic book is extremely silly. Because the penguins in it are silly, except for the samurai. The penguins tumble into each other like dominoes, dive into cold water, provoke a shark, pester the seals, duel with the predatory skua, and otherwise attract the ire of Artimus Walrus—who plans to "eliminate the Samurai Penguin... and to enslave the entire penguin colony."
Heavy drama, indeed. Vado's writing goes for quick gags, visual and verbal, and Buck's artwork is cleanly cartoony, featuring some excellent use of Zip-A-Tone. The samurai is necessarily larger and more human-like than the standard penguins, and he looks like a bird in some panels.
The issue includes a couple house ads and "True Penguin Facts," which educates readers a little about the penguin and includes a caveat from Vado: "I will pull out my creative license. Settings will differ from what they are in nature; predators will do some unnatural things." A fun, throwaway read. The series lasted eight issues and was reportedly an early success for Slave Labor.
Availability: Samurai Penguin has not been collected. Stan Sakai's Usagi Yojimbo and Eastman and Laird's Teenage Mutant Ninja Turtles have.
Writer and creator: Dan Vado, Artist and creator: Mark Buck.
I'm not sure if this is a parody of Teenage Mutant Ninja Turtles or of the already cartoony and masterful Usagi Yojimbo, both of which were contemporaries, but thanks to the editorial, readers know there's no relation to the Samurai Penguin characters in Antarctic Press's Extremely Silly Comics.
Regardless, this comic book is extremely silly. Because the penguins in it are silly, except for the samurai. The penguins tumble into each other like dominoes, dive into cold water, provoke a shark, pester the seals, duel with the predatory skua, and otherwise attract the ire of Artimus Walrus—who plans to "eliminate the Samurai Penguin... and to enslave the entire penguin colony."
Heavy drama, indeed. Vado's writing goes for quick gags, visual and verbal, and Buck's artwork is cleanly cartoony, featuring some excellent use of Zip-A-Tone. The samurai is necessarily larger and more human-like than the standard penguins, and he looks like a bird in some panels.
The issue includes a couple house ads and "True Penguin Facts," which educates readers a little about the penguin and includes a caveat from Vado: "I will pull out my creative license. Settings will differ from what they are in nature; predators will do some unnatural things." A fun, throwaway read. The series lasted eight issues and was reportedly an early success for Slave Labor.
Availability: Samurai Penguin has not been collected. Stan Sakai's Usagi Yojimbo and Eastman and Laird's Teenage Mutant Ninja Turtles have.
Friday, November 09, 2018
Capitalizing on Ninja
Amazing Comics Premieres #1 (Amazing, 1987, $1.95)
"Ninja*Bots" Created, Written, and Illustrated by: Roger McKenzie and Kevin VanHook, Lettered by: Lee Harmon.
Offered by the publisher of Ex-Mutants and New Humans, this is Amazing's showcase book, intended to be a tryout book explicitly similar to DC's Showcase and New Talent Showcase, Pacific's Vanguard Illustrated, and Comico's Primer. What began as a joke on a car trip to the Chicago Con capitalized on the mid-'80s love affair with ninjas and giant robots—and the result is quite impressive.
The 32-page black-and-white comic seems a lark on VanHook's well-drawn cover, but the interiors are anything but silly or dismissive. Instead, writer McKenzie weaves the tale of centuries-old ninja caretakers, tenku (supernatural beings), and warriors. Tao-Sun, the ancient one, encounters wayward student Ratu after defeating a group of ninja, remembering their time together serving as "sworn guardians of the sleeper from the stars."
Power hungry, Ratu slayed their mentor Sin before confronting Tao-Sun, who, as tengu, exacts justice. Now, Tao-Sun returns to the hidden shrine of the sleeper from the stars, where he realizes Ratu has taken control of the sleepers, alien shells in the form of enormous Ninja*Bots, seemingly biomechanical battle bots. Tao-Sun transforms into a tengu demon, the star-lizard, who fights Ratu's Ninja*Bots.
Personally, I could do without the giant robot, but McKenzie's scripting is excellent, and VanHook's artwork is sublime. His style reminds me slightly of Gene Day's work on Master of Kung Fu, and the inking—while brilliantly black and white—isn't heavy handed or muddy. The issue features "The Premiere of Amazing Comics Premieres;" Kevin VanHook's "The Creation of a Comic Book," which further describes the ideas behind the comic; and a couple house ads. Pied Piper later published a Ninja*Bots Super Special.
"Ninja*Bots" Created, Written, and Illustrated by: Roger McKenzie and Kevin VanHook, Lettered by: Lee Harmon.
Offered by the publisher of Ex-Mutants and New Humans, this is Amazing's showcase book, intended to be a tryout book explicitly similar to DC's Showcase and New Talent Showcase, Pacific's Vanguard Illustrated, and Comico's Primer. What began as a joke on a car trip to the Chicago Con capitalized on the mid-'80s love affair with ninjas and giant robots—and the result is quite impressive.
The 32-page black-and-white comic seems a lark on VanHook's well-drawn cover, but the interiors are anything but silly or dismissive. Instead, writer McKenzie weaves the tale of centuries-old ninja caretakers, tenku (supernatural beings), and warriors. Tao-Sun, the ancient one, encounters wayward student Ratu after defeating a group of ninja, remembering their time together serving as "sworn guardians of the sleeper from the stars."
Power hungry, Ratu slayed their mentor Sin before confronting Tao-Sun, who, as tengu, exacts justice. Now, Tao-Sun returns to the hidden shrine of the sleeper from the stars, where he realizes Ratu has taken control of the sleepers, alien shells in the form of enormous Ninja*Bots, seemingly biomechanical battle bots. Tao-Sun transforms into a tengu demon, the star-lizard, who fights Ratu's Ninja*Bots.
Personally, I could do without the giant robot, but McKenzie's scripting is excellent, and VanHook's artwork is sublime. His style reminds me slightly of Gene Day's work on Master of Kung Fu, and the inking—while brilliantly black and white—isn't heavy handed or muddy. The issue features "The Premiere of Amazing Comics Premieres;" Kevin VanHook's "The Creation of a Comic Book," which further describes the ideas behind the comic; and a couple house ads. Pied Piper later published a Ninja*Bots Super Special.
Thursday, November 08, 2018
One of 20 Black-and-White Titles
Edge #1 (Silver Wolf, February 1987, $1.50)
Published by Kristoffer A. Silver, owner of the now-defunct Alexander's Comics in Sacramento, California, this title was one of Silver Wolf's 20 black-and-white titles—as well as 10 additional color comics—that self-admittedly contributed to the B&W "glut in the market" in the mid-'80s. The 24-page issue was written by Silver and drawn by Gary Shipman, who was slated to later also write the title. The comic was carried by no fewer than 15 comics distributors. Remember those days?
Shipman's artwork is pretty decent for such a book (Silver Wolf also published early work by Sacto locals Ron Lim and Tim Vigil). His characters are stronger than his backgrounds despite some anatomy challenges, and the heavy inks occasionally distract from the lack of panel backgrounds, but on the whole, the art is solid. The story, then is about Edge, costumed vigilante Jason Holden, adept at martial arts and making a living as a "thief of thieves."
In this issue, Edge dispatches a "band of punks" that accosts him in an alleyway, remembers acquiring a wealth of gems, gets flustered talking to a pretty neighbor who drops off a UPS package, dresses in the just-received suit he "designed and ordered," and sells the gems to a reluctant fence in downtown Sacto before encountering "Lance of the Eradicators." The Eradicators was another Silver Wolf title.
This book is a fascinating example of the mid-'80s comics boom, and the title is quite good given the sizable ambitions of the publisher. The issue also includes a publisher's note, two pages of back issue listings—including portfolios and roleplaying games (spun out of The Eradicators!) from the company—and a column in place of the lettercol.
Published by Kristoffer A. Silver, owner of the now-defunct Alexander's Comics in Sacramento, California, this title was one of Silver Wolf's 20 black-and-white titles—as well as 10 additional color comics—that self-admittedly contributed to the B&W "glut in the market" in the mid-'80s. The 24-page issue was written by Silver and drawn by Gary Shipman, who was slated to later also write the title. The comic was carried by no fewer than 15 comics distributors. Remember those days?
Shipman's artwork is pretty decent for such a book (Silver Wolf also published early work by Sacto locals Ron Lim and Tim Vigil). His characters are stronger than his backgrounds despite some anatomy challenges, and the heavy inks occasionally distract from the lack of panel backgrounds, but on the whole, the art is solid. The story, then is about Edge, costumed vigilante Jason Holden, adept at martial arts and making a living as a "thief of thieves."
In this issue, Edge dispatches a "band of punks" that accosts him in an alleyway, remembers acquiring a wealth of gems, gets flustered talking to a pretty neighbor who drops off a UPS package, dresses in the just-received suit he "designed and ordered," and sells the gems to a reluctant fence in downtown Sacto before encountering "Lance of the Eradicators." The Eradicators was another Silver Wolf title.
This book is a fascinating example of the mid-'80s comics boom, and the title is quite good given the sizable ambitions of the publisher. The issue also includes a publisher's note, two pages of back issue listings—including portfolios and roleplaying games (spun out of The Eradicators!) from the company—and a column in place of the lettercol.
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